​Art Basel 2016: ​Dizzying delights

I was fortunate enough again this year to be one of the many VIP guests, (allegedly more than 10 thousand cards sent) at Art Basel, the ultimate art fair. More than 280 galleries showing everything from classic modern masters and contemporary artists to future art celebs, compete for the attention of pampered art collectors from all over the World.

Walking through the vast treasure filled halls and the gigantic “Art Unlimited” pavilion is a walker’s dream. My iPhone step counter reported 14,627, or 11.62 kilometers in just one day. Proving that art hunting is not only good for the soul but for the heart too!

The New York Times and many other news purveyors report brisk sales. I modestly was privy to a few. Deciding what are the best art works within such a dizzying array of choice can only be the result of chance and subjectivity. Here are some of my favorites:

A must have at $80K, Hiroshi Sugimoto‘s serene and ethereal Five Element Pagodas @ Fraenkel. For the last 36 years, Frish Brandt (the one with the beautiful blue eyes) and Jeffrey Fraenkel have been San Francisco’s taste makers setting quality standards for photography’s modern masters.

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Five Elements, 2011 English Channel, Weston Cliff,1994, 2011 optically clear glass, black and white film, housed in a wooden box , 3 x 6 inches

Quickly sold at $175K a pop, Christian Marclay‘s “Body Mix” series; brilliant, playful and gender fucking early works @ seriously chic powerhouse Paula Cooper. This series generate the same delight as they did when I first saw them in the early ’90’s. Christian Marclay shares the intelligent tongue-in-cheek humor and love for simple craft as his Swiss compatriot elders Fischli and Weiss.

In the $20K range, Peter Hujar‘s haunting “Trucks, night” 1976 @ Thomas Zander. Delighted to see that this seminal 1980’s artist is coming to the fore again.

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Peter Hujar – Trucks Night, 1976 – gelatin silver print on paper

Swiss native Pamela Rosenkranz @ Miguel Abreu. Despite his two-toned South American dictator shoes, Miguel is one of New York’s most successful and young(ish) gallerists representing recently minted stars and up and coming art promises.

African Artists are emerging with great aplomb. I particularly liked the intricate and laborious aluminum wire work of South African Walter Oltmann @ Goodman Gallery from Johannesburg and Cape Town.

Truly sublime @ Art Unlimited: Julie Meheretu‘s immense poetic “Eye of Ra” ink painting – Wolfgang Tillmans “New York Installation PCR, 525, 2015” – the soothing light magic of James Turrelland many more too famous to mention 

In its forty seventh edition, what keeps making Art Basel the best fair ? Why are they always on target? What are their tricks? What do they do that we should learn from? Perhaps it is because of the city in which it was founded and whose name it carries. A small city known for its collectors, Basel has a tradition of quality powered by money, an impeccable Swiss sense of logistics mixed with a passion for art; and the knowledge that today’s avant-garde artists are tomorrow’s classics.

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